There
exists a tenuous distinction between “experimental architecture” and “professional
architecture.” The industry and profession of architecture can be said to be
based on a refinement of an individual’s architectural ideas and theories over
the life of a career. The only manner by which to understand more fully the personal
and cultural implications of one’s designs is to begin with some form of study,
some form of experimentation; whether that be through the use of temporary
structure (which provide a more suitable environment for architectural
experimentation) or more permanent ones in built form (which constitute a more
costly form of experimentation). Using this logic, “experimental architecture”
will eventually refine itself down to becoming a more professional form, and “professional
architecture” is always experimental; thus a distinction between experimental
and professional architecture is difficult to identify in the big picture.
Professional
architecture is experimental. To a certain extent, any and all people who put
into practice the processes of architectural design spend their life defining
and refining their interpretation of “architecture” and “design.” For example,
Le Corbusier, who had great influence on the development of modern architecture
began to develop an architectural theory based on five simple driving concepts
(pilotis, free floor plan, free façade, ribbon windows and rooftop garden)
early in his career and continually worked to refine his theory with each new
project that he confronted. His experimentation with the five points led his
designs from the traditional Dutch style of his 1905 Villa Fallet (which most
people would never link to the architect due to its severe divergence from his
commonly understood theories) to the fully modern culmination of his
architectural theory: the 1928 Villa Savoye. The architecture of Le Corbusier,
arguably one of history’s most influential architects, can easily be considered
“experimental architecture;” but his career was one of the best examples of
“professional architecture” in history. Thus his architecture was fully
“experimental architecture” and, simultaneously, constituted a “professional
architecture.”
Villa Fallet Villa Savoye
Temporary
architecture is experimental and experimental architecture will become
professional. The construction of a temporary structure assists architects in
the definition and refinement of their architectural theories, which, as
previously discussed, are based on experimentation. Like a life-sized model,
architects can study differing effects that they are trying to achieve with no
long-term pressure present in the construction of permanent structures. For
example, Mies van der Rohe’s 1929 German Pavilion exists as his first “essay”
of sorts about elements of architecture. The architect focuses on blurring the
distinction between interior and exterior, the relationship between floor and
slab and a multiplicity of movements based on a simple gridded plan. From his
studies at the Barcelona exhibition, van der Rohe refined his architectural theories
to lead him to the designs of the 1956 Crown Hall for IIT and 1968 Neue
National Gallery in Berlin. Van der Rohe’s construction of the temporary German
Pavilion gave the architect a unique opportunity to experiment with
architecture and essentially acted as the starting point for his career. Based
on this idea, the experimental qualities of architecture led only to a more and
more “professional architecture” – one with solid ideas and refined theories.
In this way, “experimental architecture,” over time, becomes or leads to “professional
architecture.”
German Pavilion Neue National Gallery
Although
the analysis of these big name architects can easily apply to the concepts that
have been put forth, the same ideals exist for architects everywhere. From the
time that we begin our modern day architectural education, students work toward
developing their own architectural theories. Perhaps based on an influential
career of history, perhaps based on their own design aesthetics; perhaps
developed and followed early in life, perhaps developed as a result of
experimentation over time. Nevertheless, everyone who puts into practice the
processes of architectural design work to develop these architectural theories
over a lifetime. The distinction between “experimental architecture” and
“professional architecture” may exist, but if it does, it will not last for
long, as one cannot exist without the other.
No comments:
Post a Comment