By: Francisco G. Zambrano
|
Fig.1: Personal quick sketch of the Moses Bridge. |
It's funny how things work out. Last week we
talked about how architecture manipulates nature, and now this week we talk
about how nature manipulates or rather influences architecture. The great part
about this relationship is that the architecture is actually respectful of
nature and tries to emphasize it. This is accomplished in many ways.
|
Fig.2: Beistegui Apartment view of Paris from rooftop. |
|
Fig. 3: Hedge is down. |
We start with the Beistegui Apartments by Le
Corbusier in Paris. In his task to try to hide some of the complications and
impurities of the Parisian cityscape, he implements complicated machinery in
order to filter and change the surrounding landscape. For example, on the roof
garden, there are walls and hedges, which move electronically in order to hide
or reveal parts of the surrounding cityscape (Fig.3). When one walks onto the roof top
garden space, you are confused by the fact that there are furnishings that
would normally be placed in a living room, yet are on the rooftop with a bright
green grass floor. To top it off, you have the Triumphal Arch and the Eiffel Tower
peaking up over the five foot white wall with the thin line of the surrounding
mountain range along the top of the wall. The white wall manages to hide the
complex cityscape yet keep in view the important monuments and the beautiful
mountain range in sight. Then, when you are bored of the view or want to hide
something, you simply move the architecture to do so.
|
Fig.4: The Moses Bridge in the Netherlands. |
It is interesting how one can emphasis
nature. Le Corbusier did so by having architecture actually move in order to
change the surrounding landscape. Now this is not always the case such as the
Mosses Bridge in the Netherlands (Fig.4). This "bridge" literally hides
itself in order to not interrupt the continuity of the moat or the simplicity
of the site. When looking at the path from a certain distance, it literally is
invisible, and as you approach it, the water and land slowly open up to reveal
the a slit which is the bridge. What is amazing is that when seen from a
distance, the bridge accomplishes to not interrupt the smooth current of the
moat or the continuity of the land. This structure accomplishes to move you
through a landscape that was only possible to do so in a story.
|
Fig.5: Blur as seen from afar. |
Another example of architecture, which tries
to lessen the impact on its surroundings, is the Blur by the architects Elizabeth
Diller and Ricardo Scofidio on Lake Neuchatel in Yverdon-les-Bains,
Switzerland. Well, it is not that it wants to lessen its impact rather than the
structure tries to blend in the landscape by mimicking a cloud of fog on the
lake (Fig.5). From afar, that is what the structure looks like, a cloud of fog which
rises and lowers depending on the temperature and either expands onto the lake
or stays together in a stout cloud. The only way you can tell that it is a
structure is by seeing the two bridges on which people walk on in order to
enter the cloud. This structure allows people to experience what it is like to
be in a cloud in the sky. Like the Moses Bridge, in a way, it allows people to
be inside nature in a way that was only possible in stories.
As seen in these projects, architects do not
always want to shove architecture down natures’ throat, but try to blend the
two together. I believe that in order for architecture to be more than great,
it must take more than just queues from nature. It must respect and react with the
surroundings’ like the Beistegui Apartments, the Moses Bridge and the
Blur. These projects have done so and have even gone beyond by trying to blend
with their surrounding.
No comments:
Post a Comment