The 2007 Serpentine Gallery
Pavilion is one of the projects that I thought was very interesting, in both
good and bad ways. One of the
reasons I chose to analyze this particular work is because it was completed by
a joint effort from an architect, Kjetil Thorsen, and an artist, Olafur
Eliasson. After doing some
research on the pair, I learned that Thorsen, who is a co-founder of the
Snohetta firm, is quite artistically influenced in his architectural designs, and
Eliasson has a keen sense of the spatial qualities about art. This combination is unique in the fact
that the final results offer a balance between artistic details and spatial
aspects from both the artist and the architect. I like the transition of space from outdoors to indoors with
the use of the ramp, creating a gradual movement indoors, and the detail of the
twisted wires, providing a porous partition between the inside and outside. (shown
in the model I created) This slit that moves around the whole structure and
opens up into the larger space inside further enhances this transitional
aspect. I very much like the
movement of space in general, however I do think that this structure does not
fully represent my idea of a pavilion specific to this site. Compared to the
other Serpentine Gallery Pavilions, this one is the most “building-like”. There
does not seem to be much connection with the surroundings, which I think should
be an integral part in designing a pavilion.
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