Two important elements in any architectural projects is the
way in which the space is able to function, and the impact of the space, or the
impression that it leaves on the viewer who is using or moving through it. And
in the best most thought out projects these kinds of elements are very fluidly
connected to each other in a way in which the both enhance the other one.
The Copacabana Promenade in Rio, the Hoenheim Nord Terminal,
and the Touch of Evil Project are all examples of projects that in some way
challenge the connection of impression of a project and the functionality of
the space. In many contemporary projects build today the function is put as the
main focus that drives the project, and this is a logical way to develop ideas, but these three particular projects are unique examples that
see the impression that the space can make on the viewer as the driving force behind
the concept and execution of all the elements of the project.
The Copacabana
promenade in Rio, by Robert Burley Marx, is a geometrical pattern that defines
a space of a walkway through a park in Rio, the space is set up with a pattern
that is based on the logical organization of simple geometry, yet is still
completely curvilinear and seeming to have a natural quality that ungulates as
you move through it, and although it is not a significant piece of architecture
as far as function, it completely changes how the project is experienced, but
it is part of a larger park project which has some functional elements tied
with it, so it is not a project void of function.
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