Seth Oliver
“Only by learning to live in
harmony with your contradictions can you keep it all aloft.” - Audre Lorde. This
statement is true to almost everything in life. But the real kicker is where it
can apply to our wondrous profession of architecture. The word “parasite” often
has a negative connotation surrounding it like a fog of toxic fumes. However,
in architecture, the building and design of a parasitic piece should only be to
help and engage the original work. My favorite examples of this are of similar
nature but executed in different ways. The first is called Legal Illegal by
Manuel Herz Architects . The second is called the Didden Village in Rotterdam
by MVRDV. Both are great works and make a difference in the way I think about
the word parasite and how to use it when designing in existing conditions.
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Different
but yet the same thought, the Didden Village by MVRDV captures the attention of
those everywhere in the city of Rotterdam. Rather than being an abstract form
between existing walls like Legal illegal, the village is literally 2 “cottages”
on top of an apartment building. They look as if they are just sitting there to
match the blue walls to the blue sky. The three houses are actually bedrooms
for a family; a master suite and two children’s rooms. They fit like a village
with door opening to the roof to convene for meal times and such, but also
connect to the apartment below. The stairs are what impress me the most from
this project. The children’s staircases function as a double spiraled stair
that ends up being a center piece in the living-room below. The stairs are covered
and come down through the ceiling but never actually touch the floor. I feel it
is a way of respecting the existing architecture. I can appreciate for trying
to fit into the apartment but also standing out to rest of the world. It uses
the same function of color as the last project, but it becomes a separate
piece. Instead of judging the work as a whole, the houses on top lend
themselves to be the spectacle. I still love this work and it makes me consider
how to address a different way of parasitic architecture.
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So in I
have figured out that I am a fan of parasites. The point of them it to engage
what was existing and make them better. The styles may be different but I think
that is the true art of architecture.
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