The Holocaust Memorial in Berlin designed by Peter Eisenman
has become an iconic and emotional project in the past few years. The memorial was completed in December
of 2004 and was dedicated in May of 2005. Thousands of concrete slabs span a
massive area of 19,000 square meters and are placed in an organized grid
pattern.
Although I have not
personally visited this site yet, it looks as if the space is extremely dynamic
in that it changes based on the time of day, season, weather conditions,
sunlight, etc. In addition to
these aesthetic changes, the change in scale is also very intriguing. My
analyses include two different views of the memorial: one from an aerial
perspective and another from the human experience. From the aerial view, the space takes on a rippling,
textured skin effect that is more seamless. From the scale of the average person, the blocks seem more
massive and the pattern more maze-like.
It is interesting how malleable this space is based on aspects like
scale.
Textured skin from birds-eye
Detail of texture
VERSUS:
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